The idea of a “granny spy” seems utterly ridiculous. But, of course, Red Joan, is not focusing on the elderly woman tending her garden. It wants you to think about what the OAP in question got up to ...
The opening sequence in 2005’s Walk the Line had your toes tapping in the cinema aisles as the unmistakable twang of country music pulsated through the speakers. Whilst not quite on the same scale, t...
Assisted suicide. It doesn’t exactly sound like the ideal topic for a “buddy movie”. And yet, it’s exactly this tug-on-the-heartstrings storyline that makes Alexandre Lehmann’s Paddleton work. Co-wri...
When I covered Agnieszka Smoczyńska’s Fugue and discussed it’s shocking and unsettling opening scenes, I thought that nothing would top that in terms of shock factor at this year’s Glasgo...
A woman teeters on her heels; unsteady on her feet. She’s walking on a railway line and her clothes are covered in soil. Suddenly, she reaches the station platform, which she then crawls awkwar...
You get a sense of what awaits you as the opening scene of Thunder Road unfolds. Adapted from a thirteen minute short film of the same name, the main character is presenting the eulogy for his recent...
Films like Border do not come along very often, especially to UK cinemas. This, more than anything else, is a good argument for the benefits that come from the likes of The Glasgow Film festival. The...
Actions have consequences. Even if they are not consciously made something that takes place leads to something else and a whole unknown path. This is the basis for the German movie The Most Beautiful...
Like most Spanish properties, Laura’s family home in a small village just outside Madrid has huge wooden doors that keep the dust and the noise of the square out. You can shut those heavy doors...
For the opening film of the 2019 Glasgow Film Festival the choice is somewhat unusual. Not with the content, rather the type of film that it is and the fact that it is a low key drama that doesn̵...