If there is one thing you should know about a cinema visit to see The Meg, it’s that you need to set your expectations really low. And once you’ve done that, set them a little lower. Only then will y...
It’s fortuitous timing that Stefano Sollima’s Sicario sequel has hit cinemas. Parents and children being separated across the Mexican border; patrolling the Rio Grande in Laredo for potential people ...
Horror films – of late – appear to have fallen down the slippery slope of constant jump scares, gory deaths and groups of idiot teenagers exploring basements / abandoned buildings / insert generic cr...
When you think of Madrid-native, Pedro Almodovar, three key things spring to mind; colour, close-ups and conversation. Almodovar’s films – from the early, wilder days to more recent years – have alwa...
There are few stereotypes about Italian culture that are readily relied on in cinema, satire and the news. The first, is that the country is home to the Mafia (and all Italians are in the Mob) and th...
The hijacking of a 1976 Air France flight from Paris to Tel Aviv should have been natural directing material for the bold and violent allusions of Narcos director Jose Padilha. Couple that with a – u...
There is something really disheartening about a film that barely resembles the trailer that was sent to market to grab your attention. But, in the case of George Clooney’s latest directorial effort, ...
Make a sound, and you die. A simple premise for a horror film that will play on your basic fears and keep you on edge. While 2016’s Lights Out tapped into our primordial fear of the dark, here direct...
Steven Soderbergh is one of the most interesting directors working today. I can say that now that he is officially back with more than one film. He always appears to be looking forward and taking on ...
As confirmed on Moviescramble previously, Denis Villeneuve will not be returning to the director’s chair for the hotly anticipated sequel to his 2015 hit, Sicario. The good news is that Suburra...