Thunderbolts* – Review
The MCU has struggled to find its footing in the post Endgame world. While Marvel once rewarded viewers for their…
The MCU has struggled to find its footing in the post Endgame world. While Marvel once rewarded viewers for their…
From Jay Roach, the director/producer of comedy hits like Austin Powers, Borat, and Meet the Parents, comes the trailer for…
It’s 1932 in the Mississippi Delta, just three years after the crash. Prohibition prevents escapism found in the bottom of…
Glasgow Film Festival (GFF) wrapped the 21st edition of Scotland’s flagship film festival after an epic 12 days, featuring 114…
There aren’t any gods or mythical creatures in Uberto Pasolini’s The Return. Perhaps, if there were, the former would be…
They say that life imitates art. And that is certainly the premise for writer / director Jin-hwang Kim’s second feature…
Music has a way of tying us to a time or place. An unforgettable gig, shared with a friend. A…
Long Day’s Journey Into Night, Eugene O’Neill’s Pulitzer-prize winning four act play, was first published posthumously in 1956. It has…
Damon Hill became a Formula 1 driver at a time where a luxurious moustache or bushy brows seemed to be…
Lorcan Finnegan’s The Surfer opens with golden sands, crystal clear waters and a tinkly, dreamy percussive score. The heavy colour…